RED MONSTRO 8K VV DSMC2 Camera Carbon Fiber READY TO SHOOT, VISTA VISION, HUGE CARBON FIBER KIT.
Condition: Used| Brand | Red |
| Model | RED Monstro VV 8K |
| Type | Cinema Camera |
| Condition | Used |
Package includes (Everything in the photos is included plus more):
This is a perfect working RED MONSTRO VV 8K CINEMA CAMERA, the firmware has been updated with the latest version, it has been used for a project that never finished. This camera has low hours. It has no signs of use, was well cared for and works perfectly. This is a great studio package to get you going, someone’s loss is your gain! Don’t pass up this opportunity!
This camera was kept inside a studio and never was used outside, it works PERFECTLY.
Focusing in full range, including infinity. This lens was developed basing on Biotar 2/58 (Carl Zeiss Jena) lens. Helios 44-2 58/2 provides very vivid, contrasting and enough sharp images. Images taken with this lens are airy and have a nice and a little bit swirly bokeh.
Resolution by the lens technical passport: 38/20 lp/mm, GREAT FOR MOVIE MAKING, USED WITH ARRI AND RED)
MONSTRO 8K VV Technical Specifications
| Sensor Type | MONSTRO 35.4 Megapixel CMOS |
| Effective Pixels | 8192 x 4320 |
| Sensor Size | 40.96 mm x 21.60 mm (Diagonal: 46.31 mm) |
| Dynamic Range | 17+ stops |
| Max Data Rates | Up to 300 MB/s using RED MINI-MAG (480GB, 512GB, 960GB & 1TB) |
| Up to 225 MB/s using RED MINI-MAG (120GB & 240GB) | |
| Max Frame Rates | 60 fps at 8K Full Format (8192 x 4320), 75 fps at 8K 2.4:1 (8192 x 3456) |
| 60 fps at 7K Full Format (7168 x 3780), 75 fps at 7K 2.4:1 (7168 x 3024) | |
| 75 fps at 6K Full Format (6144 x 3240), 100 fps at 6K 2.4:1 (6144 x 2592) | |
| 96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160) | |
| 120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728) | |
| 150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296) | |
| 240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864) | |
| Playback Frame Rates (Project Time Base) | 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions |
| REDCODE Settings Range from 2:1 to 22:1 | 5:1 REDCODE at 8K Full Format (8192 x 4320) and 24 fps |
| 12:1 REDCODE at 8K Full Format (8192 x 4320) and 60 fps | |
| 2:1 REDCODE at 4K Full Format (4096 x 2160) and 24 fps | |
| 3:1 REDCODE at 4K Full Format (4096 x 2160) and 60 fps | |
| REDCODE RAW Acquisition Formats | 8K Full Format (8192 x 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x |
| 7K Full Format (7168 x 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x | |
| 6K Full Format (6144 x 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x | |
| 5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x | |
| 4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x | |
| 3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x | |
| 2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x | |
| Apple® ProRes | ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps |
| ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps | |
| Avid® Codecs | DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps |
| DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps | |
| DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps | |
| DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps | |
| DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps | |
| Construction | Aluminum Alloy |
| Weight | 3.35 lbs (BRAIN with Integrated Media Bay) |
| Operating Temperature | 0˚C to 40˚C (32˚F to 104˚F) |
| Storage Temperature | -20 °C to 50 °C (-4 °F to 122 °F) |
| Relative Humidity | 0% to 85% non-condensing |
| Color Management | Supports 33x33x33, 32x32x32, 26x26x26, and 17x17x17 3D LUTs |
| Variable number of 3D LUT outputs with DSMC2 expander module | |
| User programmable shaper 1D LUTs | |
| Tetrahedral interpolation, 16-bit processing | |
| Audio | Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz |
| Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz | |
| Remote Control | Integrated R.C.P. WiFi antenna |
| Ethernet, RS232, and GPI Trigger with DSMC2 expander module | |
| Monitor Outputs | 3G-SDI (HD-SDI) and HDMI with DSMC2 expander module |
| 1080p RGB or 4:2:2, 720p RGB or 4:2:2 | |
| 480p RGB or 4:2:2 (HDMI only) | |
| SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio | |
| Monitor Options | DSMC2 RED Touch 4.7” LCD, DSMC2 RED Touch 7.0” LCD and DSMC2 RED EVF (OLED) with cable-free connection. |
| RED Touch 9.0” LCD, RED Touch 7.0” LCD, RED Touch 5.0” LCD, RED PRO 7” LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable. | |
| REDCINE-X PRO Delivery Formats | 4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) |
| 2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) | |
| 1080p RGB 4:2:2, 720p 4:2:2 : QuickTime®, JPEG, Avid AAF, MXF | |
| 1080p 4:2:0, 720p 4:2:0 : H.264, .MP4 | |
| Video Editing Software Compatibility | Adobe Premiere Pro, Avid Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro |